In honor of the Grand Central centennial, we would like to highlight Arts for Transit’s permanent artworkthroughout GCT. First up, artist Ellen Driscoll who referenced the historic constellation ceiling from the main concourse of Grand Central Terminal in her glass, bronze and mosaic relief, As Above, So Below. Located in the Grand Central North passageway, her artwork takes the viewer around the world to the night sky above five different continents, representing myths, civilization, heavens, and the underworld. A close look at any of the faces in the work reveals their diversity, as indeed, the people in these mosaics represent many different backgrounds. However, the artist has altered them to take on the attributes of mythical figures. The work summons the everlasting and the ephemeral, reminding us of our worldly past while we hurry through the station. Above: Ellen Driscoll, As Above, So Below, 1998.
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In honor of the Grand Central centennial, we would like to highlight Arts for Transit’s permanent artworkthroughout GCT. First up, artist Ellen Driscoll who referenced the historic constellation ceiling from the main concourse of Grand Central Terminal in her glass, bronze and mosaic relief, As Above, So Below. Located in the Grand Central North passageway, her artwork takes the viewer around the world to the night sky above five different continents, representing myths, civilization, heavens, and the underworld. A close look at any of the faces in the work reveals their diversity, as indeed, the people in these mosaics represent many different backgrounds. However, the artist has altered them to take on the attributes of mythical figures. The work summons the everlasting and the ephemeral, reminding us of our worldly past while we hurry through the station. Above: Ellen Driscoll, As Above, So Below, 1998.
Zoom Info
In honor of the Grand Central centennial, we would like to highlight Arts for Transit’s permanent artworkthroughout GCT. First up, artist Ellen Driscoll who referenced the historic constellation ceiling from the main concourse of Grand Central Terminal in her glass, bronze and mosaic relief, As Above, So Below. Located in the Grand Central North passageway, her artwork takes the viewer around the world to the night sky above five different continents, representing myths, civilization, heavens, and the underworld. A close look at any of the faces in the work reveals their diversity, as indeed, the people in these mosaics represent many different backgrounds. However, the artist has altered them to take on the attributes of mythical figures. The work summons the everlasting and the ephemeral, reminding us of our worldly past while we hurry through the station. Above: Ellen Driscoll, As Above, So Below, 1998.
Zoom Info
In honor of the Grand Central centennial, we would like to highlight Arts for Transit’s permanent artworkthroughout GCT. First up, artist Ellen Driscoll who referenced the historic constellation ceiling from the main concourse of Grand Central Terminal in her glass, bronze and mosaic relief, As Above, So Below. Located in the Grand Central North passageway, her artwork takes the viewer around the world to the night sky above five different continents, representing myths, civilization, heavens, and the underworld. A close look at any of the faces in the work reveals their diversity, as indeed, the people in these mosaics represent many different backgrounds. However, the artist has altered them to take on the attributes of mythical figures. The work summons the everlasting and the ephemeral, reminding us of our worldly past while we hurry through the station. Above: Ellen Driscoll, As Above, So Below, 1998.
Zoom Info

In honor of the Grand Central centennial, we would like to highlight Arts for Transit’s permanent artworkthroughout GCT. First up, artist Ellen Driscoll who referenced the historic constellation ceiling from the main concourse of Grand Central Terminal in her glass, bronze and mosaic relief, As Above, So Below. Located in the Grand Central North passageway, her artwork takes the viewer around the world to the night sky above five different continents, representing myths, civilization, heavens, and the underworld. A close look at any of the faces in the work reveals their diversity, as indeed, the people in these mosaics represent many different backgrounds. However, the artist has altered them to take on the attributes of mythical figures. The work summons the everlasting and the ephemeral, reminding us of our worldly past while we hurry through the station.

Above: Ellen Driscoll, As Above, So Below, 1998.

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